Directed by: Hal Hartley
Format: DVD
DVD Features:
Starring: Parker Posey, Jeff Goldblum, James Urbaniak, Liam Aiken, Thomas Jay Ryan
Trailer
As I recall - and it’s been many years now - the movie Henry Fool was really good. I remember it as being an amusing, avant-garde film about an unusual poet janitor. Of course, I think I may have watched it back in my pot-smoking, Austin days (daze?) and nothing from that era of my life is terribly clear. So, I suppose it’s time I revisit that film, just to see if memory serves. Regardless, Henry Fool was directed by Hal Hartley and is the precursor to Fay Grim. So, when I saw Fay Grim in the video store, in the discount bin, and I needed to round out my stack of 4 for $20, my hazy recollection of Henry Fool prompted me to escort its sequel to the checkout counter.
Fay Grim (Posey) is the wife of Simon Grim, whose presence is presently unaccounted for. According to Agent Fulbright (Goldblum), Simon met his demise sometime after his scandalized flight from the country years ago. What Fulbright and his sidekick Carl Fogg (played by Leo Fitzpatrick) are after isn’t Fay’s estranged husband, but rather, the set of his journals. On the surface, his writings are merely the ramblings of a drunken lunatic. According to Fulbright, Simon’s ramblings may actually contain coded messages regarding national security. So, in exchange for her brother Henry’s release from prison, Fay agrees to fly to France in order to recover the books. The mission however, turns into a bit of a fiasco involving hitmen, international espionage and a secret radical political faction.
There are a number of aspects that make Fay Grim an unusual movie. Yes, it’s a low budget indie film with a few star actors, but that’s not what sets it apart. One obvious difference is the pacing of dialogue. Hartley’s characters all deliver their lines with an unsettling pattern of rhythmic pauses, so that everything they say seems suspect. Even though the plot involves some action scenes, foreign spies and mortal danger, it’s very clear that Fay Grim does not take itself seriously. I think that might be one thing that saves the movie. The entire film has the air of being an inside joke; one that you’re in on along with the actors. While the dialogue is only slightly annoying, what really irritated me was the lack of any straight camera angles. I am almost positive that every single shot in Fay Grim is slanted. At first, the technique was charmingly “art school”. After about 30 minutes of crooked scenes, it stopped being cute.
My verdict is still out on Parker Posey. I’ve never really had a fondness for the actress. Maybe it’s because she reminds me a little of Courtney Cox (and I hate Courtney Cox). Her performance in Blade Trinity was incredibly painful to watch. In Fay Grim, however, Posey was somewhat more appealing. On IMDB’s page for the movie, one user comments that Posey is, “the semi-official Queen of the Indies”. I never really thought of her that way, but as I peer at her filmography, it appears to support the claim. One thing’s for sure – her wardrobe in Fay Grim kicks butt. I am so running around in a black dress coat, wrist warmers and over-the-knee faux leather boots from now on!
One actor I’m not surprised to see on the indie circuit is Jeff Goldblum. He was fantastic in The Life Aquatic (is Wes Anderson still indie?). Like DeNiro and Walken, Goldblum is always himself, no matter which role he’s playing, but that doesn’t make him any less fun to watch. Fans of the actor will appreciate his portrayal as Agent Fulbright. Most of the cast from the original Henry Fool was retained for Fay Grim. One new character, however, is Ned Grim, Fay’s son. Ned is played by Liam Aiken, who I swore I’d loved in another film, but couldn’t remember for the longest time. Finally, I realized that he was Klaus in A Series of Unfortunate Events. Maybe it was the glasses that threw me off. All of the characters in this film are likeable (if somewhat strange) from one angle or another.
Sadly, Fay Grim failed to measure up to my expectations. It could be a bit confusing if you haven’t seen Henry Fool, but I think it’s equally so if you have. Aside from a little character background, which is hastily filled in anyway, you won’t miss out on much of the plot having not seen the first film. It’s a movie that requires a bit of attention, because most of the wit hits quickly and moves on. It doesn’t milk a joke for long. While I did enjoy the subtle humor here, the funniest scene might be Fay’s cell phone experience, which is almost entirely sight driven. But, the obnoxious camera work and the repetitive rhythm of the dialogue took away from my enjoyment of an otherwise entertaining flick. Used in moderation, the two techniques might have lent the film more charm.
Overall Rating: 2
Hottie Rating: 4 (for Aiken, if I was 20 years younger and for Simon, who I have an unexplained raging sexual desire for)
Alternate Recommendation: Doom Generation
Official site
IMDB Page
Roger Ebert's review
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