30 Days of Night (2007)

Director: David Slade
Format: theater
Starring: Josh Hartnett, Melissa George, Ben Foster, Danny Huston, Megan Franich
trailer

For every monster, whether it be in movies or in video games, there are rules. Rules such as; vampires die in the sunlight, werewolves are killed with silver bullets, and the only way to kill a zombie is to destroy its brain. Rules tell the heroes how to survive. Even when the monsters are not standard fare, the ground rules have to be laid in order for the audience to understand how the game is to be played. The zombies in 28 Days Later were not the normal, slow variety that audiences were used to. However, the filmmakers let us know how people were infected and how to avoid becoming a victim. Without some kind of structure, things can go to Hell.

30 Days of Night takes place in Barrow, Alaska - the Northern most town of the United States. This far North on the globe, the sun takes a month off in Winter. So, if you’re a creature of the night, it’s the perfect place to vacation. Just as the sun gets ready to dive below the horizon, a stranger arrives in town. A mysterious chain of circumstances eliminates every escape route and puts the only apparent law officer in residence, Eben Oleson (Hartnett), on his guard. But, he doesn’t have much time to sit around and ponder the situation, because the town falls under attack. Vampires. Much of the town is slaughtered right away, but a small group of citizens manages to find a hiding place and try to find a way to survive until the sun returns.

30 Days of Night has some interesting costuming and makeup. All of the vampires are in spiffy suits and have very animalistic faces. However, instead of the standard elongated incisors, they have two rows of very sharp teeth. I liked that the vampires didn’t speak English. I’m no linguistics major, but their dialect sounded something akin to Russian. They’ve all got the strength and agility of vampires, but not much in the way of personality. Call me a traditionalist, but I prefer the Anne Rice, romantic, sexy vampires to the creatures in this movie. Rather than seducing their prey, they go about slaughtering and tearing throats, much more like a zombie would. They seem to gain no sustenance from their victims and delight merely in the kill. I don’t really like this strain of vampire. They didn’t carry much of the allure that I’m used to.

One thing that surprised me about 30 Day of Night was the gore. After the first 30 minutes of the film, I was resigned to the possibility that I may see nothing more than a few blood spattered walls. Once the main characters became the last survivors in town, the gore factor improved dramatically. There’s even a scene where one man has his head chopped off with an ax. Usually, it’s only the swing and the screaming that suggest a beheading that we get to see. In this film, the actual chopping in full, gory detail fills the screen. Right on! I wonder how it managed to sustain an R rating.

I have quickly become a fan of Josh Hartnett. He’s a bit more rugged (and fully dressed) than I’ve seen him in other films, but no less tasty. On top of his killer good looks, the boy can act. His female counterpart in 30 Days of Night is Stella, played by Melissa George. Her character is a little irritating at the start of the movie, but soon becomes a valuable part of the group. Most of the other characters in the movie are sort of mundane. There wasn’t any feeling of loss as they dropped off one by one. No particularly stellar performances. Eben’s little brother Jake (Mark Rendall) was annoying and I never felt any sort of real connection between him and the older Oleson.

I would wait for 30 Days of Night to hit the rental shelves before viewing. It isn’t nearly worth the $9.50 or other outrageous sum paid for admission. The gore factor almost redeems this movie, but the lack of any sort of guidelines (aside from an aversion to sunlight) or personality on the part of the villains makes the struggle unimpressive.

Overall Rating: 2 ½
Hottie Rating: 4 (Hartnett, of course)

Alternate Viewing: Bram Stoker’s Dracula
Official Site
IMDB Site
Horror Movie A Day review

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The Numbers List

11:14

1408

30 Days of Night

11:14 (2003)

Director: Greg Marcks
Format: DVD
DVD Features: trailer, commentary, deleted scenes, featurette
Starring: Patrick Swayze, Shawn Hatosy, Rachael Lee Cook, Hillary Duff
trailer

If there’s a moral to the story of 11:14, it’s that idiots shouldn’t drive. And if there’s a second lesson to be learned, it’s that if you find a body, don’t try to hide it.

11:14 is about the mishaps of five (or six, or four, depending on which review you read) different people living in Middletown, Rural America. The significance of the time mark indicates the point at which their stories intersect. Each story is presented, and then, time reversed so that another tale can be told, all culminating in the moment when the their connection is clarified.

Our first victim of circumstance is Jack (Henry Thomas). He’s just finished a phone conversation when, out of nowhere, a body lands on his car. Since he’s been drinking, he decides that it might be a good idea to hide the evidence. A passerby stops to ask what the trouble is, and assumes that the driver has hit a deer in the road. But, when the cop who reports to the scene opens up the trunk, a mad chase through the woods ensues.

Flash back to Frank (Patrick Swayze), who’s watching his daughter leave from the window of their home. He decides to take his dog out for a walk through the cemetery. His discovers his daughter’s keys on the ground and then runs headlong into a body, its skull crushed beyond identification. Thinking that it was his daughter who committed the murder in self-defense, he decides to protect her by getting rid of the corpse.

Enter Eddie (Ben Foster), Mark (Colin Hanks) and Tim (Stark Sands). They’re a trio of drunken misfits out for a joyride, setting things on fire and hucking stale donuts at passing cars. When one of them decides that to hang his manhood out of the window instead of making a pit stop, he winds up seriously regretting it.

Then, we have Duffy (Shawn Hatosy), who is Cheri’s boyfriend (and who totally reminds me of my ex) and he’s gotten himself into quite a fix. His girlfriend is pregnant and the only way he sees to get the money for her abortion is to rob the convenience store he works at. Buzzy (Hilary Swank), the girl on night shift, doesn’t want to cooperate. But, when she realizes that she might lose her job for accidentally busting a window, she elects to take a bullet wound to make the robbery look convincing.

Cheri (Rachael Lee Cook) is Frank’s daughter. She’s also Duffy’s girlfriend, with a couple of tricks up her sleeve. Not only does she have Duffy running her errands, she’s got two more boyfriends under her thumb and a plot to make it out of town with some cash. It’s Cheri's story that finally wraps everything up and ties all of the tales together.

Even though she’s not the main focus of this movie, Hillary Duff plays her role fantastically. Her tendency to take on characters which make her look neither sexy nor glamorous really earns her a bit of credit in my eyes. I think that it shows that she’s built her career on solid acting skills rather than a huge rack and a family fortune. Swayze, who usually annoys the hell out of me, fits perfectly into the role of overprotective father. The entire cast of 11:14 impressed the hell out of me. I was totally convinced of each and every character and it was one of the best features of the film. The character around which all three stories ultimately spawn is Cook’s. Even though she’s the town tramp, this little chick’s a bit more clever than I expected.

For an inexperienced director, Marcks does a heck of a job with 11:14. Even though I’ve read a series of glowing reviews of this film, I don’t remember it getting much attention in the press at all. While the storytelling technique in his movie has been used before in movies like Momento, Pulp Fiction and Amores Perros, it doesn’t appear tired and uninspired here. It’s true that 11:14 could have taken a more serious spin, trying to teach lessons about morality and consequence, but it doesn’t take on such a lofty attitude. On the contrary, the entire adventure is treated with a comic touch. Nobody in the film is without blame, but there isn’t anyone to hate all the same. It’s a whole lot of fun and doesn’t try to preach.

Overall Rating: 4
Hottie Rating: 2 (for Cook and her outfit)

Alternate viewing: Run Lola Run
Official site
IMDB site
The Onion AV Club Review

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1408 (2007)

Director: Mikael Håfström
Format: Theater
Starring: John Cusack, Samuel Jackson, Jasmine Jessica Anthony, Mary McCormack
Trailer

I do not, in general, seek out movies based on Stephen King novels. In fact, I usually avoid them. The only exception to that has been The Shining. However, it is rumored that the author of the book did not agree with Kubrick’s adaptation. I stopped being able to stomach King’s writing after my freshman year in high school. Until that point, I’d read many of his earlier novels and my favorite was the collection of shorts entitled, “Skeleton Crew”. Aside from the afore mentioned film, most movies based on King’s books are terribly scripted and painful to watch. I cannot claim to have read 1408 and therefore cannot vouch for the movie’s accuracy.

The trailer for 1408 is a bit misleading. It explains that Mike Enslin (John Cusack), after having suffered the loss of his young daughter, becomes obsessed with the paranormal and seeks out his child’s ghost. While that idea can certainly be interpreted from the film, it’s not the main plot point or even openly stated. Mr. Enslin is a writer (surprised?) who is sarcastic, cynical, borderline alcoholic, and does not believe in ghosts or the afterlife. He travels the country, checking into purportedly haunted places of lodging and publishing his reviews in guides like, “Top 10 Spooky Graveyards” or “10 Haunted Lighthouses” (I made those titles up). Judging from his small array of ghost hunting gadgets though, he does appear to be seeking proof to challenge his skepticism. When he receives a mysterious postcard warning him to stay away from room 1408 at the Dolphin Hotel, naturally, that’s the first place he goes. After a wordy argument with the hotel’s manager, Gerald Olin (Samuel Jackson), Enslin steps up to the challenge and enters room 1408. This time, he’s not disappointed.

John Cusack has proven himself, to me at least, to be a very solid actor. I am pleased that he didn’t sink in the mire of his 1980’s chick-flick past as so many stars of the time did. It’s a good thing too, because 1408 is primarily a one man show, with most of the film taking place while Enslin is alone in the hotel room. (I use the word “alone” very loosely in this instance.) He is terrific at playing the cynical type, as in High Fidelity, which makes him a great skeptic ghost hunter. Samuel Jackson is also known to give a solid performance. Although his character has a very minor role in the story, it is chock full of the type of dialog delivery the actor became known for in Pulp Fiction. The rest of the actors appear only briefly here and there. As usual, the child annoyed me to death.

1408 gave me some serious acid flashbacks. Seriously. Some of the special effects were a bit hokey. Specifically, Olin’s appearance in the refrigerator. However, I can honestly say that at least the first portion of the film had me drawing my feet up onto the seat. (Ever get that feeling that something’s just about to grab your ankles?) There are a few glaring continuity errors. The most obvious is the fact that, despite being told that electronics do not function in room 1408, Enlin is able to operate his cell phone, his laptop, the radio and light switches. It might have been interesting to delve more closely into the individual ghosts haunting the room, but the movie focuses most directly on Enlin’s inner psyche and past. His daughter’s death from an undisclosed illness and his subsequent separation from his wife plague him as the main terrors of room 1408. There are some hints during the film of what the ending will look like, but just when you might think it’s over – it’s not.

So, it appears that 1408 has entered the elite ranks of the two Stephen King movies I can stand. A surprising thumbs up. It is a commonly known bit of trivia that the author appears in every one of his films (except The Shining), just like Hitchcock and, now, Shyamalan. I didn’t notice him myself, but maybe you can spot him.

Overall Rating: 4
Hottie Rating: 1 (eh, Cusack's not bad)

Alternate viewing: Night Watch (Russia)
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Wild Bluff Media review

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